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Wednesday, 9 August 2017

Half farewell to Sergej Karcevskij and the Linguistic Circle of Prague

Half farewell to Sergej Karcevskij and the Linguistic Circle of Prague

TANAKA Akio

I have thought on language through the rich results of the linguistic Circle of Prague and its important member Sergej Karcevskij. But now my recent thinking has inclined towards algebraic or arithmetic geometrical method and description. Probably it is the time of half farewell to those milestones which led me to the standing place here with rather sufficient results in my ability. 


Great thanks to all that always encouraged me for hard and vague target on language especially meaning and its surroundings. And also to CHINO Eiichi with love and respect who taught me all the bases of language study.For recent results see the following papers group named AGL Arithmetic Geometry Language and related essays.


Tokyo
23 October 2013

Sekinan Research Field of Language

[References]
Papers
Arithmetic Geometry Language (AGL)
Dimension of Language (AGL 1)
Synthesis of Meaning and Transition of Dimension (AGL 2)
Birth of Word, Synthesis of Meaning and Dimension of New Word (AGL 3)
Dimension Conjecture at Synthesis of Meaning (AGL 4)

Essays
Parts and Whole
Edward Sapir's Language, 1921
Macro Time and Micro Time
Meaning Minimum 

Disposition of LanguageTokyo
24 September 2014, references added

Sekinan Research Field of Language




Lily at the garden


Sixties, For Susan Sontag

Sixties, For Susan Sontag  


                                        
On Sixties, Susan Sontag wrote in her book, WHERE THE STRESS FALLS, 2001 as the following.

Perhaps the most interesting characteristic of the time now labeled the Sixties was that there was no little nostalgia. In that sense, it was indeed a utopian moment.
From "Thirty Years Later..." 

Surely I also think that it was a utopian moment, not utopia everlasting.
Someone ever said at a book, " We were loose change." Surely we were all loose change for a utopian moment. This is the great dedication to Sontag from me. We have lived in a same time though I was extremely coward far away than her to the time and myself.

27 September 2012

[Note]
30 November 2014 Note added 
SIL

Sixties are precious times for me though full of exactly heartbreaking events.
At first, using all the university's summer holidays in 1969, I read three times, one of the Japanese classics, Ochikubo Monogatari, in English Dark Hole Story written in Heian Times some 1,000 years ago, faithfully following the teach of  Japanese classic litrature's ScholarYAMAGISHI Tokuhei by the precise annotated text. The scholar lent me his valuable collation text of NAKAMURA Shuko in his library. Before beginning the holidays he said to me like admonishment that selection of one classic in the vast literary heritage was alike a meeting with a fiancée, walking to the station from the university in the clear summer evening. 
And I sometimes read the modern Chinese novels, Luxun or Maodun, thinking on the Beijing's old days, of which CHEN Donghai taught us how to hear the Beijing Opera sitting the chair facing sideways to the stage.
In university I met CHINO Eiichi at the small room for Russian language in 1969.
I met KAJIMURA Hideki at his Korean class and Natary Muravijowa at her Russian class in the next year.
I learnt alone the composition of French by the text of MAEDA Yoichi at the university's library, who indicated me the splendid world of French language and philosophy while reading Pascal's Pensées little by little, almost all the days outside afar demonstrations of eager students to politics. It is the reason for I was coward in those days.

Grape at the garden
July 2017

Read Susan Sontag, Now I am enough old for remembering the past

Read Susan Sontag
Now I am enough old for remembering the past


​TANAKA Akio

                                   
Recently I read Susan Sontag's WHERE THE STRESS FALLS, 2001. The impression is a little different with the other books.
I was never the good reader of her, but her existence was always strong and had glittered.
The time was Sixties that contained the infinite things in it.
Now I am enough old for remembering the time.
She wrote a fine essay on the time, Thirty Years Later ... , 1996.
The pages are short but sufficient to describe the time that was infinite and endless.
If her life was able to be shine, while my Sixties was always under the tiny dim light.
At the place where I was, the long view never could be seen. I never thought on the things as I was very coward and was fluttered even at the very tiny event of the time. I was infirm and timidity.
What I could do at that time was read or turned pages of the text books of some foreign languages.
How little and shallow heart I had, pitiable and poor existence. Probably till now.

References
Under the Dim Light

Sixties, For Susan Sontag

Tokyo
27 September 2012
9 August 2017 Revised
Sekinan Research Field of Language

Patio rose at the veranda
July 2017



Monday, 7 August 2017

Reread Andre Martinet's ELEMENTS DE LINGUISTIQUE GENERALE, 1970

Reread Andre Martinet's ELEMENTS DE LINGUISTIQUE GENERALE, 1970

                                      
Reread Andre Martinet's ELEMENTS DE LINGUISTIQUE GENERALE, 1970. When I was a student in 1970s, the book was already determined the established reputation. Now at rereading, I confirmed that one of his most concerned thing was the amalgamation of moneme, which is still radically never solved . But by his approach or any other similar approached researchers, Martinet-like style of studying is very difficult to progress. I have taken the another way to think on the themes influenced from KARCEVSKIJ Sergej  ( my early trial paper ; Holomorphic meaning Theory 2008 ) by using the mathematical methods, especially algebraic geometry.
Recent result on the relation between characters and time in language is shown below.Time of WANG Guowei, 2011, sekinanmetria 2011
Text revised
7 August 2017
Sekinan Library


Saturday, 5 August 2017

The First Paper on Inherent Time in Word

The First Paper on Inherent Time in Word 

TANAKA Akio

26/07/2014 10:18

In 2003 I wrote a paper which shows the inherent time in word, titled On Time Property Inherent in Characters.
In those days I frequently looked upon the reading on linguistic history of Chinese characters. Qing dynasty is like a sitting sun being lighted with classical study of Chinese Classics.

In October 2002, I contracted pneumonia and entered a hospital two weeks. At the hospital pneumonia smoothly recovered to usual health. So I thought on my study life and my main target of language at the free time. From the hospital's window the Okutama Mountains were always clearly seen. Seeing the mountains, I gradually determined that the research must be led by clear description, not by traditional style of historical language study.

But my study was mainly put on WANG Guowei's style until then. His life work, Quangtangjilin is the only book in my life. Then at the hospital bed, I confirmed that my study was mixed to clear description and traditional WANG's work.

In March 2003, I stayed at Hakuba, Nagano for tasting the passing wintry season’s landscape. At the place,  I suddenly floating up an idea of language study that word has time in it and that time and meaning are all shaped to be elements. At the result I finished the paper, On Time Property Inherent in Characters. 

vide:
Short History of SRFL
On Time Property Inherent in Characters / 28 March 2003

Read more: http://srflnote.webnode.com/news/the-first-paper-on-inherent-time-of-word-atsrfl/    

Tokyo                                                  
24 July 2014                             
Sekinan Research Field of Language  


Remained hydrangea
5 August 2017

ONO Shinobu and Bernhard Karlgren over the Chinese classical study

ONO Shinobu and Bernhard Karlgren over the Chinese classical study


In December 1979, I submitted the post-graduate thesis on Japanese Buddhist priest Kukai (774-835)'s maiden work Sangoshiiki that comparatively considered the three regions, Confucianism, Taoism and Buddhism. Probably in January 1980, I met with Prof. ONO Shinobu at the corridor of university. He said to me that he read my thesis and my thinking method using at the thesis was resembled in the method of Bernhard Karlgren at his paper "The Authenticity and nature of the Tso Chuan" 1926. He successively talked to me, "TANAKA, did you read the paper?" I promptly answered " Professor, No."

My thesis was presented the other prof. who specialist of  the old Buddhism in Japan and probably he sent my thesis to his dear friend ONO. My approach was the study on the appearance frequency distribution of all the expletives appeared in the text.

I knew this famous Sweden sinologist's name earlier and already bought one of his important work Grammata Setica Recensa, 1957 in the early 1970s at Kaifu Shoten Bookshop in Kanda, Tokyo. But the paper shown by ONO was perfectly unknown at that time. ONO invite me to his study room and handed me the book Saden Shingi Ko" that was the translation of Karlgren's paper  by ONO and published in 1939 from Bunkyudo Shoten Bookshop at Hongo, Tokyo, which was one of the leading publisher in the field of Chinese classics in 1930s.

ONO was one of the scholar on Chinese literature from Yuan dynasty to the modern China and the member of Chugoku Bungaku Dokokai, Chinese Literature Society in Japan that led the study of modern Chinese literature in Japan from 1940s with his colleagues TAKEUCHI Yoshimi, TAKEDA Taijun and the like. In 1980s he had engaged in the translation of long novel, The Journey to the West in the Ming dynasty all the time of his non-university's work.

Going back to the past, I received ONO's lecture " Chinese literature and Modern Japan" at his study room or dean room, who was the dean of the faculty for humanities department. In my memory he lectured precisely to Japanese novelist ODA Takeo, now not famous recently.

Karlgren's book was difficult for my talent at that time but somehow  read over and gave back to ONO deeply appreciating his kindness. And some years later in Kanda, Tokyo, I found this Karlgren's book and bought. The book shop's name is Yamamoto Shoten, one of the long established Chinese classic book shop in Kanda.  The date is 2 November 1982 by the receipt put in the book.

One day probably in spring 1980, on the train on the way home, I met ONO and told him on his new lecture on Yuanqu, Yuan dynasty's poems that was frequently said very difficult for modern readers.
I said to him, "Wonderful lecture for excellent undergraduates." He returned definitely," Very important to study such a hard work for me still now."

ONO Shinobu died suddenly by disease in 18 December 1980, age 74. The conversation at the train was the last hearing of this profound scholarship.


Tokyo
3 March 2015

Wednesday, 2 August 2017

Letter to Y on The exhibition Alberto Giacometti. National New Art Centre. Roppongi, Tokyo

Dear Y,

先日戦後の代表的な彫刻家、アルベルト ジャコメッティAlberto Giacometti (1901 - 1966) の多分本格的な初めての展覧会が、六本木の国立新美術館NNACで開催中ですので、車で!行ってきました。旧青梅街道から井の頭通りを行き、代々木公園から原宿へ出て、青山墓地の横を通り、無事帰りました。

これは素晴らしい展示ですので、9月までですので、機会がありましたらご覧ください。NNACも今年で10周年、早いものです。
4人で、モネ展、モジリアニ展を見ましたが、覚えていますか

GIACOMETTIはスイス生まれで、パリで制作をつづけ、戦後の多くの芸術家、詩人と交流し、自らも幾たびも、制作を変遷し続け、日本の哲学者、矢内原伊作と友情を保ち、その像も作り、徹底的なデッサンは一枚に数日かかり、少しでもポーズを動かすと、ものすごい驚きを示したそうです。
「実態を映すことはできない」「すべては試みだ」として、ひたすらデッサンと制作に打ち込んだようです。
来年1月には、東宝シネマシャンテで「Final Portrait」という伝記的な映画が来るようです。

私がGIACOMETTIに興味を持ったのは、1970年代初めで、私は20代半ば、高校の教師の先輩の同僚だった藝大出の彫刻家Sと会話したとき、私が、「彼の作品はなぜあんなにヒョロヒョロしているんだろう」というと、彼は即座に「よく見てごらん、彼はまさしくロダンの直系だよ、あの強さとタッチは」と私にその本質を教えてくれました

S先生は40代半ばで、毎年銀座で個展を開き、その頃はひたすら、クジャクの絵を描き続けていました。二人で、国立近代美術館に行ったとき、佐伯祐三の有名なリュクサンブール公園の絵を私が初めて見て、「わあ、すばらしいな」とか言ったとき、先生は「でもよく見てご覧、彼は下地をちゃんと作ってないから、画面にひびが入っているだろう、それから、この並木の真ん中の空のヴァルール(色価)がおかしいので、空が並木より前面に飛び出しているだろう」と教えてくれました。ドイツ中世絵画の素晴らしさや、イタリアの抽象画の魅力や、アメリカの具象画の新しい伝統など無数のことを教えてくれました。今からもう40数年前です。鉄線描(てっせんびょう)という極細のまっすぐな線を引く日本画の伝統をその展覧会の作品で教えてくれたりもしました。シルクロードや唐招提寺の壁画で有名になった平山郁夫の同期で、「彼の(若かった)あの頃の絵は幻想的で素晴らしかった」と言っていました。上野動物園の動物を幻想的に描いたりしていたそうです。

S先生は、絵にはきびしかったが、私に良くしてくれて、美術室によく行くとコーヒーを入れてくれて、学期末には学生の作品を壁に並べて、採点していましたが、私が行くと、採点してくれない、とか真顔で言っていました。それでゆっくりとコーヒーを飲んで、職員室に行くと、「もう少しで採点が終わります」とか言って、担任に何度も頭を下げてまわり、また美術室に戻ると私と雑談ばかりをしていました。先生も私が教員をやめてまもなく、やはりやめて、絵に専念しました。一時は私の胸像を作ろうかなどと言って、何枚かスケッチをしましたが、実現しませんでした。そのスケッチを私は持っていたのですが、なくしてしまったのは残念です。

哲学者矢内原伊作YANAIHARA Isaku (1918 - 1989)についてもいろいろありますが、それはまた。
お元気でお過ごしください。

With best regards,

26 July 2017

T. A.